Maurizio Bianchi (December 4, 1955 in Pomponesco in the Province of Mantua) is an Italian pioneer of noise music, originating from Milan.
Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal “to produce technological sounds and in such a way to work on complete realising of the modern decadence”.
In the beginning, he published tapes under the alias Sacher-Pelz. In 1981, William Bennett, head of the band Whitehouse and the British Come Org. label, offered Bianchi a record contract, which Bianchi signed unchecked. It was based on a “joke contract” that Steven Stapleton of Nurse With Wound had sketched. The contract assumed all rights to Bianchi’s work. After delivery of the tapes Bennett edited-in speeches by Nazi leaders, and instead of the relatively unsensational name MB, it was published under the alias Leibstandarte SS MB, named after the SS unit that worked as bodyguards to Adolf Hitler.
Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations.
Bianchi became religious and withdrew from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions. In 1998, encouraged by Alga Marghen label head Emanuele Carcano, who offered him a label of his own, Maurizio Bianchi started again to make music. The label is EEs’T Records, through which he released new editions of all old MB albums, as well as many new releases.
Therefore, since 1997, he was back on the underground scene, working on several projects both in solo or in collaboration with other Italian artists (Giuseppe Verticchio/NIMH, Arnaldo Pontis and Corrado Altieri/TH26, Davide Femia/MDT, Saverio Evangelista, Matteo “Hue” Uggeri/Sparkle in Grey, Emanuela De Angelis and Eugenio Maggi/Crìa Cuervos) and international (Klaus e Danijela Jochim/Telepherique, Sandro Kaiser/Frequency In Cycles Per Second, Akifumi Nakajima/Aube, David van Ravesteijn/Land Use, Siegmar Fricke, Nobu Kasahara e Hitoshi Kojo, Maor Appelbaum, Jozef Van Wissem, Craig Hilton, Phil Julian/Cheapmachines).
A reissue of one of his classic releases. Excellent. A Neuro Habitat B Mörder Unter Uns Please note that the image shown connected to t...
Clerzphase swarms with a post-mortem atmosphere as cold cold cold electronic vibrations offer little room beyond intense claustrophobia. Hints of ...